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Dominant narratives are often discussed in tandem with counternarratives. This term has been described as an "invisible hand" that guides reality and perceived reality. [2] Dominant culture is defined as the majority cultural practices of a society. [3] Dominant narrative is similar in some ways to the ideas of metanarrative or grand narrative.
Narrative psychology is not a single or well-defined theory. It refers to a range of approaches to stories in human life and thought. [3] In narrative psychology, a person's life story becomes a form of identity as how they choose to reflect on, integrate and tell the facts and events of their life not only reflects, but also shapes, who they ...
Narrative identity has been explored in the stories of incarcerated individuals. For example, narratives have been used to understand the conversion experience among prisoners. [55] Through these narratives, prisoner converts have been able to integrate their negative self (the one who committed the crime) into their larger sense of self.
Narrative therapy is a social justice approach to therapeutic conversations, seeking to challenge dominant discourses that shape people's lives in destructive ways. While narrative work is typically located within the field of family therapy, many authors and practitioners report using these ideas and practices in community work, schools and ...
The granularity of narrative extends from broad ideologies at the highest level to middle level personal myths (positive thinking of oneself as a successful smart dominant, or submissive inferior [28]), reaching the lowest level of behavioral scripts or schemas for particular dominant-submissive social situations. [29] Categories of myth include:
Narrative bias, also known as narrative information bias, is a cognitive bias that skews perceptions towards information contained in individual narratives, ...
But, fundamental as it is, the richly detailed prime narrative is inconvenient for communication, which requires simpler, more adaptable stories that fit the context. Consequently, the prime narrative must be abridged for communicating with others in the form of simplified story lines, omission of detail, and contextualization.
Narrative rationality and narrative emotion are complementary within a narrative theory. The former considers how effectively the story conveys its meaning, as well as its implications. The latter considers the emotional reactions of the story's observers. [19] Narrative emotion is an emotion felt for the sake of someone, or something, else. [19]