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The Butler-Bowdon Cope, 1330–1350, V&A Museum no. T.36-1955.. The Anglo-Saxon embroidery style combining split stitch and couching with silk and goldwork in gold or silver-gilt thread of the Durham examples flowered from the 12th to the 14th centuries into a style known to contemporaries as Opus Anglicanum or "English work".
Most of the surviving examples of Opus Anglicanum were designed for liturgical use. These exquisite and expensive embroidery pieces were often made as vestments, such as copes, chasubles and orphreys, or else as antependia, shrine covers or other church furnishings.
Embroidery was an important art and signified social status in the Medieval Islamic world as well. The 17th-century Turkish traveler Evliya Çelebi called it the "craft of the two hands". In cities such as Damascus , Cairo and Istanbul , embroidery was visible on handkerchiefs , uniforms, flags, calligraphy , shoes, robes , tunics, horse ...
[3] [4] [5] Later producers of cloth of gold include the Byzantine Empire and Medieval Italian weavers, particularly in Genoa, Venice and Lucca. [6] Dating from the 1460s the Waterford cloth-of-gold vestments are made from Italian silk woven in Florence. The panels were embroidered in Bruges which was the centre of the medieval embroidery industry.
A scene from the Bayeux Tapestry depicting Bishop Odo rallying Duke William's army during the Battle of Hastings in 1066. The Bayeux Tapestry [a] is an embroidered cloth nearly 70 metres (230 feet) long and 50 centimetres (20 inches) tall [1] that depicts the events leading up to the Norman Conquest of England in 1066, led by William, Duke of Normandy challenging Harold II, King of England ...
The Steeple Aston Cope is a cope made between 1320 and 1340. It is notable for being one of the few surviving examples of English medieval embroidery (also known by the Latin name Opus Anglicanum), and is the earliest known depiction of a lute in England. [1]
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