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William Gibson (November 13, 1914 – November 25, 2008) was an American playwright and novelist. He won the Tony Award for Best Play for The Miracle Worker in 1959, which he later adapted for a film version in 1962.
Gibson scholar Tatiani G. Rapatzikou has commented, in Gothic Motifs in the Fiction of William Gibson, on the origin of the notion of cyberspace: Gibson's vision, generated by the monopolising appearance of the terminal image and presented in his creation of the cyberspace matrix, came to him when he saw teenagers playing in video arcades.
The works of William Gibson encompass literature, journalism, acting, recitation, and performance art. Primarily renowned as a novelist and short fiction writer in the cyberpunk milieu, Gibson invented the metaphor of cyberspace in "Burning Chrome" (1982) and emerged from obscurity in 1984 with the publication of his debut novel Neuromancer.
No Maps for These Territories is an independent documentary film made by Mark Neale focusing on the speculative fiction author William Gibson. [1] It features appearances by Jack Womack, Bruce Sterling, Bono, and The Edge and was released by Docurama. The film had its world premiere at the Vancouver International Film Festival in October 2000.
Lauren Bacall and Lillian Gish in a publicity still of the film.. The opening credits are followed by the following onscreen words: "The trouble began ---" Dr. Stewart McIver (Richard Widmark) is now in charge of a psychiatric institution, one run for many years by medical director Dr. Douglas Devanal (Charles Boyer).
Spook Country is a 2007 novel by speculative fiction author William Gibson.A political thriller set in contemporary North America, it followed on from the author's previous novel, Pattern Recognition (2003), and was succeeded in 2010 by Zero History, which featured much of the same core cast of characters.
It's been nearly 60 years since William Shatner flew the unfriendly skies in "Nightmare at 20,000 Feet" — one of the most famous installments of Rod Serling's seminal horror series, The Twilight ...
The trilogy was commercially and critically successful. Steven Poole, writing in The Guardian, described "Neuromancer and the two novels which followed, Count Zero (1986) and the gorgeously titled Mona Lisa Overdrive (1988)" as making up "a fertile holy trinity, a sort of Chrome Koran (the name of one of Gibson's future rock bands) of ideas inviting endless reworkings".
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