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Norman Edward Durkee was an American composer and pianist known for his eclectic mix of classical, jazz, rock and blues [1] but best known for his boogie-woogie piano contribution to the 1974 Bachman–Turner Overdrive hit "Takin' Care of Business". [2] Described as a piano prodigy, he graduated from Woodrow Wilson High School in Tacoma ...
Andreas Grassl (born 25 October 1984) is a German man found in England in April 2005, who remained unidentified for a long time due to his refusal to speak, communicating instead through drawing and playing the piano.
The session resulted in two albums – the trio Hells Bells, with bassist Clint Houston and drummer Cliff Barbaro, and the solo piano Steadfast [24] – that were released by Strata-East Records several years later. [25] [26] Hicks reunited with Carter in 1975, including accompanying her in a musical play, Don't Call Me Man, that year. [27]
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The ACW then "listens" to the song, analyses the chords, and prints out the chords in standard chord notation. From there, the user may produce sheet music for that song. Using the ACW feature requires the user to first synchronize the audio to the software; one way is manually adding bar lines by tapping a key on the downbeats as the song plays.
Lawrence William Knechtel (August 4, 1940 – August 20, 2009) was an American keyboard player and bassist who was a member of the Wrecking Crew, a collection of Los Angeles–based session musicians who worked with such renowned artists as Simon & Garfunkel, Duane Eddy, the Beach Boys, the Mamas & the Papas, the Monkees, the Partridge Family, Billy Joel, the Doors, the Byrds, the Grass Roots ...
Bobby Tucker (born Robert Nathaniel Tucker; January 8, 1923 – April 12, 2007) [1] was a pianist and arranger during the jazz era from the 1940s into the 1960s. He is most famous for being Billie Holiday's accompanist from 1946 to 1949 and Billy Eckstine's from 1950 to 1993.
In November 1967, singer Chris Farlowe was the first to release a version of the song, produced by Mike d'Abo. [3] It became a #33 hit in the United Kingdom for Immediate Records. This arrangement of the song included Dave Greenslade's piano blues-scale riff. The song was included as track 13 (of 14) on Farlowe's 1969 compilation album The Last ...