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Altar frontal of Italian opera di commessi, Dubrovnik Cathedral Detail of design with roses over crossed canes, 1882. Pietra dura (Italian: [ˈpjɛːtra ˈduːra]), pietre dure ([ˈpjɛːtre ˈduːre]) or intarsia lapidary [1] (), called parchin kari or parchinkari (Persian: پرچین کاری) in the Indian Subcontinent, is a term for the inlay technique of using cut and fitted, highly ...
Detail of 19th-century pietra dura panel. The Opificio delle pietre dure ("Hardstone workshop") founded by the Medici in Florence in 1588 soon became the leading workshop in Europe, and developed the pietra dura style of multi-coloured inlays, which use coloured marbles as well as gemstones.
De Gournay also debuted Pietra Dura, a hand painted interpretation of stone marquetry common in 16th- and 17th-century Florentine courts. ... Egg prices are soaring. Don't expect that to change ...
Another specialized form of lapidary work is the inlaying of marble and gemstones into a marble matrix. This technique is known in English as pietra dura, for the hardstones that are used, like onyx, jasper and carnelian. In Florence and Naples, where the technique was developed in the 16th century, it is called opere di commessi.
Opus sectile is a form of pietra dura popularized in the ancient and medieval Roman world where materials were cut and inlaid into walls and floors to make a picture or pattern. Common materials were marble, mother of pearl, and glass. The materials were cut in thin pieces, polished, then trimmed further according to a chosen pattern.
Pietra dura, inlaying with marble and other stones; Ruin marble, marble that contains light and dark patterns, giving the impression of a ruined cityscape; Scagliola, imitating marble with plasterwork; Verd antique, sometimes (erroneously) called "serpentine marble", and often confused with Connemara marble
Italian scagliola top, second half of the 18th century. Scagliola (from the Italian scaglia, meaning "chips") is a type of fine plaster used in architecture and sculpture.The same term identifies the technique for producing columns, sculptures, and other architectural elements that resemble inlays in marble. [1]
Pietra dura mosaic depicting Pope Clement VIII wearing a tiara with three crowns. The third crown was added to the papal tiara during the Avignon Papacy (1309–1378), giving rise to the form called the triregnum. [18] [19]
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