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Camp is an aesthetic and sensibility that regards something as appealing or amusing because of its heightened level of artifice, affectation and exaggeration, [1] [2] [3] especially when there is also a playful or ironic element. [4] [5] Camp is historically associated with LGBTQ culture and especially gay men.
The style of camp has been a part of fashion since around the 1960s. This creative style of camp has been used by people like Cher and Donatella Versace, and was worn at the 2019 met gala by celebrities like Harry Styles and Kim Kardashian. [1] [2] The visual style is closely associated with gay culture. [3]
"Notes on 'Camp '" was first published as an essay in 1964, and was her first contribution to the Partisan Review. [3] The essay attracted interest in Sontag. The essay was republished in 1966 in Sontag's debut collection of essays, Against Interpretation. [4] The essay considers meanings and connotations of the word "camp". [2]
Lawrence M. Bensky of The New York Times praised Styles of Radical Will as an "important book" and wrote, "It should be remembered that Miss Sontag has now written four of the most valuable intellectual documents of the past 10 years: 'Against Interpretation,' 'Notes on 'Camp',' 'The Aesthetics of Silence,' and 'Trip to Hanoi.'
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The neglect of aesthetic theory to consider the role of sensibility in everyday life was first pointed out by Katya Mandoki who in 1994 coined the word Prosaics [4] (drawing a distinction from Aristotle’s Poetics [5] focused on art) to denote a sub-discipline that would specifically inquire the aesthetics involved in daily activities emphasizing the styles and forms of expression in face-to ...
"Outline of aesthetics". Internet Encyclopedia of Philosophy. Medieval Theories of Aesthetics article in the Internet Encyclopedia of Philosophy; Revue online Appareil; Postscript 1980- Some Old Problems in New Perspectives; Aesthetics in Art Education: A Look Toward Implementation; More about Art, culture and Education; An history of aesthetics
Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29.