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Trekonomics: The Economics of Star Trek is a 2016 book by French economist Manu Saadia. The book deals with the topic of the scarcity in the economy by looking at it in reverse. The author describes the 24th-century Star Trek universe in which scarcity does not exist at all.
The golden age of children's fantasy, in scholars' view, occurred in the mid-20th century when the genre was influenced by J. R. R. Tolkien's The Hobbit and C. S. Lewis's The Chronicles of Narnia. [ 9 ] [ 10 ] In the vein of Narnia , the post-war period saw rising stakes and manifestations of evil in the works of Susan Cooper and Alan Garner ...
Children's Fantasy Literature focuses on a blend of two genres, using a broad definition of terms. It defines children's literature as "fiction read to or by children, whether or not it was originally published for children and whether or not adults have approved of children reading it", and fantasy as "the realization of the impossible". [7]
Imagine there's a game where one person is placed in a room and assigned the role of the "sender." A second person in a different room is assigned the role of "receiver." The sender is given $20 ...
Economists consider “science” as the search and production of knowledge using known starting conditions. [2] Knowledge can be considered a public good, due to the fact that its utility to society is not diminished with additional consumption (non-rivalry), and once the knowledge is shared with the public it becomes very hard to restrict access to it or use of it (non-excludable).
Social science fiction is a subgenre of science fiction, usually (but not necessarily) soft science fiction, concerned less with technology or space opera and more with speculation about society. In other words, it "absorbs and discusses anthropology" and speculates about human behavior and interactions.
Coin props depicting a fictional wizarding currency in the Harry Potter fantasy films.. Authors doing worldbuilding and creating imaginary societies have to take care when naming fictional currencies because of the associations between currency names and countries; recognizable names for currencies of the future (e.g. dollar or yen) may be used to imply how history has progressed, but would ...
Most authors of dystopian fiction explore at least one reason why things are that way, often as an analogy for similar issues in the real world. Dystopian literature serves to "provide fresh perspectives on problematic social and political practices that might otherwise be taken for granted or considered natural and inevitable". [ 7 ]