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Parade de cirque (English: Circus Sideshow) is an 1887-88 Neo-Impressionist painting by Georges Seurat.It was first exhibited at the 1888 Salon de la Société des Artistes Indépendants (titled Parade de cirque, cat. no. 614) in Paris, where it became one of Seurat's least admired works.
Parade is shown here divided horizontally into fourths and vertically into sixths. The 4 : 6 ratio corresponds to the dimensions of the canvas, which is one and one-half times wider than its vertical dimension. The axes painted by Seurat do not correspond precisely to the golden section, 1 : 1.6, as might have been expected (yellow lines, so1 ...
The Seine seen from La Grande Jatte [111] National Gallery, London 176 15.7 × 25 More images: 1888 La Seine à la Grande-Jatte [112] Royal Museums of Fine Arts, Brussels 177 65 × 82 More images: 1887 Study for "The Circus Parade" [113] Stiftung Sammlung E. G. Bührle, Zürich 187 16.5 × 26 More images: 1887 to 1888 The Circus Parade [114]
Georges Seurat first studied art at the École Municipale de Sculpture et Dessin, near his family's home in the boulevard Magenta, which was run by the sculptor Justin Lequien. [ 12 ] [ 13 ] In 1878, he moved on to the École des Beaux-Arts where he was taught by Henri Lehmann , and followed a conventional academic training, drawing from casts ...
Georges Seurat: The Circus Parade ; Artist: Georges Seurat (1859–1891) Description: ... Georges Seurat catalogue raisonné, 1972, 188 ; The Met object ID: 437654 ;
Georges Seurat, 1887-88, Parade de cirque (Circus Sideshow) with a 4 : 6 ratio division and golden mean overlay, showing only a close approximation to the divine proportion. Matila Ghyka [30] and others [31] contend that Georges Seurat used golden ratio proportions in paintings like Parade de cirque, Le Pont de Courbevoie, and Bathers at ...
The painting was Seurat's third major work treating the theme of the circus, after his Parade (Circus sideshow) of 1887–88 and Le Chahut of 1889–90. It depicts a female performer standing on a horse at the Circus Fernando (renamed the Circus Médrano in 1890, after its most famous clown).
Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier pejorative connotation. [2] The movement Seurat began with this technique is known as Neo-impressionism.
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