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The Beaux-Arts Ball (in French the Bal des Quatres Arts) is the annual costume ball traditionally given by the students of the École nationale supérieure des Beaux-Arts in Paris in the spring, in the École building on the rue Bonaparte overlooking the Seine. Elaborately allegorical floats circled the room at midnight and were judged by a panel.
The Bal des Ardents (Ball of the Burning Men), [1] or the Bal des Sauvages [2] (Ball of the Wild Men), was a masquerade ball [note 1] held on 28 January 1393 in Paris, France, at which King Charles VI had a dance performance with five members of the French nobility.
The can-can (also spelled cancan as in the original French /kɑ̃kɑ̃/) is a high-energy, physically demanding dance that became a popular music-hall dance in the 1840s, continuing in popularity in French cabaret to this day. [1] Originally danced by couples, it is now traditionally associated with a chorus line of female dancers. [2]
A dance costume used in ballet. A dance costume is the clothing worn by a dancer when performing before an audience. A dance costume may be custom designed for use in a specific dance work, or it may have a traditional design, such as those used in some ceremonial and folk dances. Typically, dance costumes are designed to harmonize with the ...
Poster by Jean Cocteau for the 1911 Ballet Russe season showing Nijinsky in costume for Le Spectre de la rose, Paris. The Ballets Russes (French: [balɛ ʁys]) was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America.
Le Gaulois - 3 August 1869 Édouard Manet's A Bar at the Folies-Bergère, 1882 Jules Chéret, Folies Bergère, Fleur de Lotus, 1893 Art Nouveau poster for the Ballet Pantomime Folies Bergère, by Franz Skarbina Mercedes, Folies Bergère, 1895 Marinett, Folies Bergère, by Walery, c. 1900 Josephine Baker in a banana skirt from the Folies Bergère production Un Vent de Folie, by Walery, 1927 ...
The mastermind behind the eye-catching wardrobe, a main draw for the show, is lead costume designer Marylin Fitoussi, who has played a vital role in creating Emily in Paris’s visual stylebook ...
Centre National du Costume de Scene (CNCS) (English: National Center of Stage Costume (CNCS)) is a French museum dedicated to stage costumes and sets.. It was inaugurated on 1 July 2006 in Moulins, Allier by Renaud Donnedieu de Vabres the Minister of Culture, Pierre-André Périssol the mayor of Moulins and Christian Lacroix, dressmaker and board chairman. [1]
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