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The tradition of Odissi music is nearly a millennium old, there are several ancient musical treatises produced in the state of Odisha for several centuries, there are unique ragas and a distinctive manner of rendition. Pani further argues : [31] From the discussions above, it is evident that Odissi music is a distinctive shastric (classical ...
Classical Odia literature & the Gita Govinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) body as three sources of perfecting expression and ...
Artforms based on Odissi music (4 P) D. Disciples of Balakrushna Dash (2 P) Disciples of Singhari Shyamsundar Kar (5 P) O. Odissi Mardala (2 C, 3 P) Odissi music ...
Banamali Dasa (Odia: [bɔnɔmaːl̪i d̪aːsɔ] ⓘ; 1720–1793) was an Indian medieval Odia bhakta-poet and composer of Odissi music from the state of Odisha."Dinabandhu daitari", [1] "Kede chanda jane lo sahi", and "Manima he etiki maguni mora" are some of his notable writings that are used in Odissi.
Traditional repertoire of Odissi music, classical music of Indian state of Odisha. Pages in category "Odissi music repertoire" The following 3 pages are in this category, out of 3 total.
Chinta Kamodi (Odia: ଚିନ୍ତା କାମୋଦୀ, romanized: chintā kāmodi) is a rāga belonging to the tradition of Odissi music. [1] [2] [3] Falling under the meḷa Sri, [4] the raga uses both suddha nisada and komala nisada swaras and is traditionally associated with the bhakti rasa. [5]
Sri (Odia: ଶ୍ରୀ ରାଗ, romanized: śrī rāga, also spelled Shri & Shree) is a rāga belonging to the tradition of Odissi music. [1] [2] [3] Falling under the meḷa of the same name, [4] the raga uses komala nisada swara and is traditionally associated with the melancholic karuna rasa. [5]
Among his disciples (alumni of Kalamandira) are renowned vocalist Guru Durjyodhana Sahoo and Odissi Bina exponent Guru Ramarao Patra. [3] Patra is the author of several books on Odissi music, the best-known of them being Odisi Sangita Prakasa (1970) which propounded the theory of 32 melas for scientific classification.