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Maciunas' Fluxus Manifesto, copies of which were thrown into the audience at the Festum Fluxorum Fluxus, Düsseldorf, February 1963. His father, Alexander M. Maciunas, was a Lithuanian architect and engineer who had trained in Berlin, and his mother, Leokadija, was a Russian-born dancer from Tiflis affiliated with the Lithuanian National Opera [3] and, later, Aleksandr Kerensky's private ...
Fluxus 1, 1964.This copy in the Archiv Sohm, Staatsgalerie Stuttgart. Fluxus 1 is an artists' book edited and produced by the Lithuanian-American artist George Maciunas, containing works by a series of artists associated with Fluxus, the international collective of avant-garde artists primarily active in the 1960s and 1970s.
Fluxus Manifesto, 1963, by George Maciunas Poster to Festum Fluxorum Fluxus 1963. Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product.
Although it can be argued [1] that An Anthology is not strictly a Fluxus publication, its development and production were central events in the formation of Fluxus. It marked the first collaborative publication project between people who were to become part of Fluxus: Young (editor and co-publisher), Mac Low (co-publisher) and Maciunas (designer).
A collection of artworks made by artists associated with Fluxus, the international art movement started by George Maciunas in 1962. Pages in category "Fluxworks" The following 8 pages are in this category, out of 8 total.
The first of these, "Nothing by Ray Johnson", was part of a weekly series of events in July 1961 at the AG Gallery, a venue in New York operated by George Maciunas and Almus Salcius; Yoko Ono's first solo show was on view in the gallery at the time. Ed Plunkett later recalled entering an empty room. "Visitors began to enter the premises.
Mieko Shiomi (塩見 允枝子, Shiomi Mieko, born 1938) is a Japanese artist, composer, and performer who played a key role in the development of Fluxus.A co-founder of the seminal postwar Japanese experimental music collective Group Ongaku, she is known for her investigations of the nature and limits of sound, music, and auditory experiences.
Filliou worked together with artists such as Emmett Williams and George Brecht. In 1982, Filliou received the first Schwitters prize of the city of Hanover. Among the many artists who cherished Robert Filliou's work was Maurizio Nannucci, who actually published him as editor and owner of an avant-garde publishing house. [3]