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Seljuk mosaic tile decoration from the Kubadabad Palace (early 13th-century Anatolia). The Rub el Hizb (Arabic: رُبْعُ الْحِزْبِ or رُبُعُ الْحِزْبِ, romanized: rubʿ al-ḥizb, lit.
It consisted of square panels of fixed size, painted with scenes and flowers, in a technique similar to Italian maiolica rather than to the earlier mosaic technique. [1]: 487 [5] [17]: 84–86 Example of cuenca or arista tiles with Islamic geometric motifs, produced in 16th-century Spain, at the Metropolitan Museum of Art [25]
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
The panel included the experts on Islamic geometric pattern Carol Bier, [g] Jay Bonner, [h] [66] Eric Broug, [i] Hacali Necefoğlu [j] and Reza Sarhangi. [k] [70] In Britain, The Prince's School of Traditional Arts runs a range of courses in Islamic art including geometry, calligraphy, and arabesque (vegetal forms), tile-making, and plaster ...
Complex carved calligraphy also decorates buildings. For most of the Islamic period the majority of coins only showed lettering, which are often very elegant despite their small size and nature of production. The tughra or monogram of an Ottoman sultan was used extensively on official documents, with very elaborate decoration for important ones ...
Islamic calligraphy has also displayed figurative themes. Examples of this are anthropomorphic and zoomorphic calligrams. [40] Islamic calligraphy forms evolved, especially in the Ottoman period, to fulfill a function similar to figurative art. [41] When on paper, Islamic calligraphy is often seen with elaborate frames of Ottoman illumination. [41]
Islamic gardens were often used to convey a sense of power and wealth among its patrons. The magnificent size of palace gardens directly showed an individual's financial capabilities and sovereignty while overwhelming their audiences. [6]
This form of architectural decoration is common in Indo-Islamic architecture and more generally in Indian architecture. [1] It is closely related to mashrabiya in Islamic architecture. [2] According to Yatin Pandya, the jali allows light and air in while minimizing the sun and the rain, as well as providing cooling through passive ventilation. [3]