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The lyrics to the track discuss a woman who toys with her lover's emotions; the lover mistakes Spears' flirtatiousness for something more, and considers her a serious romantic interest. [7] During its bridge, Spears delivers a spoken-word dialogue that references the blockbuster film Titanic (1997).
The lyrics of the song are written by Misfit and Super Junior members Eunhyuk, Donghae, Shindong, Leeteuk and Heechul, which are also the ones who wrote the rap verses. SM describes the song as "a unique rap song which shows Super Junior’s own distinctive charms and the featured artist f(x)’s refreshing voice and sound effects double the ...
The title of the single and the album took inspiration from the poem Seven Miles of Fragrance by Xi Murong. Musically, "Common Jasmine Orange" is a soft rock number that incorporates elements of R&B and traditional Chinese instrumentations. Music critics praised the song for its composition and lyrics, drawing parallels with Chinese music and ...
It reached number seven on the UK Singles Chart. [42] Its accompanying music video sees Spears catching her boyfriend cheating on her at a futuristic turntable nightclub, then driving off, getting in a wreck and singing in the rain, [ 41 ] while the chair sequence in the video was inspired by Janet Jackson 's music video for " The Pleasure ...
Alternating lyrics, misspelled songwriting credits, and uncrediting of the song's publishers. [53] 2006 "Mbube" (1920) Solomon Linda "The Lion Sleeps Tonight" (1961) Disney's usage of the Tokens' song on the movie The Lion King: Back royalties and songwriting credits [54] 2007 "If We Could Start All Over" (1993) Eddy and Danny van Passel
"Orange" is a song performed by Irish comedian David O'Doherty. It was released on CD in February 2007 as part of his attempts to have a "Minor" hit single, preferably at #27 in the charts. It was released on CD in February 2007 as part of his attempts to have a "Minor" hit single, preferably at #27 in the charts.
Love recorded "7 and 7 Is" on June 17 and 20, 1966, at Sunset Sound Recorders, [8] with Jac Holzman producing and Bruce Botnick engineering. [9] The fuzz bass was ultimately abandoned as it overpowered the other instruments, but Forssi was able to achieve a similar sound with the feedback caused by his semi-acoustic Eko bass.