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In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 48 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
Kathak performances include Urdu ghazal and commonly used instruments brought during the Mughal period. [5] As a result, it is the only Indian classical dance form to feature Persian elements. [6] Kathak is found in three distinct forms, called "gharana", named after the cities where the Kathak dance tradition evolved – Jaipur, Banares and ...
Tawaif Mah Laqa Bai dancing in court. Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
The earliest mention of Kathak as an art form is found in the Arjuna-Vanavasa chapter of the Aadi-Parva of Mahabharata. In its initial phase, Kathak is regarded to have been a mimetic representation of Puranic literature accompanied with dance. Kathakas were Granthikas reciting stories related to Vishnu. When Krishna was identified with Vishnu ...
Mudra: Mudras are hand gestures that are used to convey specific meanings in Indian classical dance. Mohiniyattam dancers use a variety of mudras to tell stories and express emotions. Tala and Laya: Tala (rhythm) and laya (tempo) are essential elements of Indian classical dance. Mohiniyattam dancers must have a strong sense of rhythm.
Asi-Te-Karave Yied (2008) is a Kashmiri adaption of the story by Shehjar Children's Theatre Group, Srinagar. [6] Mujeeb Khan has also adapted it into a play as part of the series Adaab Mein Premchand Hoon. [7] The Rashtriya Kathak Sansthan, Lucknow, has adapted the story into a Kathak performance. [8]
Nighat Chaudhry (Urdu: نگہت چودھری) [1] is a Kathak classical dancer who was born on 24 February 1959, in Lahore, Pakistan. She moved to London with her parents when she was one year old. [2] She studied ballet and contemporary dance; but when she was 14, she met Nahid Siddiqui, one of the greatest Kathak dancers, and began training ...
Fasih Ur Rehman is a Kathak maestro from Pakistan. He has been a disciple of Maharaj Ghulam Hussain Kathak for 20 years, (1977–1998) in Lahore, Pakistan, and later continued his studies with Kumudini Lakhia in London and Ahmedabad, India. [1] He is the main male Kathak dancer of Pakistan with more than 30 years of Kathak experience. [2]