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In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 48 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
The earliest mention of Kathak as an art form is found in the Arjuna-Vanavasa chapter of the Aadi-Parva of Mahabharata. In its initial phase, Kathak is regarded to have been a mimetic representation of Puranic literature accompanied with dance. Kathakas were Granthikas reciting stories related to Vishnu. When Krishna was identified with Vishnu ...
Kathak performances include Urdu ghazal and commonly used instruments brought during the Mughal period. [5] As a result, it is the only Indian classical dance form to feature Persian elements. [6] Kathak is found in three distinct forms, called "gharana", named after the cities where the Kathak dance tradition evolved – Jaipur, Banares and ...
Tawaif Mah Laqa Bai dancing in court. Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
Asi-Te-Karave Yied (2008) is a Kashmiri adaption of the story by Shehjar Children's Theatre Group, Srinagar. [6] Mujeeb Khan has also adapted it into a play as part of the series Adaab Mein Premchand Hoon. [7] The Rashtriya Kathak Sansthan, Lucknow, has adapted the story into a Kathak performance. [8]
Sunayana Hazarilal, née Sunayana Agarwal, was born in Mumbai to a Railway officer and started learning classical dance from an early age. [4] Refusing to move out of Mumbai to learn Kathak when her father was transferred elsewhere, she practised under the tutelage of Guru Hazarilal who was a known exponent of the Benaras Jankiprasad Gharana.
Kathakali is different from a similar-sounding Kathak, though both are Indian classical dance traditions of "story play" wherein the stories have been traditionally derived from the Hindu epics and the Puranas. Kathak is an ancient performance art that emerged in North India, with roots in traveling bards retelling mythical and spiritual ...
Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, [12] body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. [13]