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One famous Moche portrait vessel is known as the Huaco Retrato Mochica. The portrait was made during the Late Moche period (ca. 600 CE), according to the chronology made by Rafael Larco Hoyle in 1948. The ceramic portrait is also an example of a stirrup spout vessel of a Moche ruler.
The Moche civilization (Spanish pronunciation:; alternatively, the Moche culture or the Early, Pre- or Proto-Chimú) flourished in northern Peru with its capital near present-day Moche, Trujillo, Peru [1] [2] from about 100 to 800 AD during the Regional Development Epoch. While this issue is the subject of some debate, many scholars contend ...
The Moche flourished about 100–800 CE, and were among the best artisans of the pre-Columbian world, producing delightful portrait vases (Moche ware), which, while realistic, are steeped in religious references, the significance of which is now lost. For the Moche, ceramics functioned as a primary way of disseminating information and cultural ...
Moche artwork included men, women, plants, gods and deities, and anthropomorphic figures engaging in activities such as hunting, fishing, combat, sexual acts, warfare, and ceremonial events. Archaeology regarding the Moche has been able to uncover a vast amount of artwork, mostly through the survival of Moche ceramics. [ 5 ]
Moche culture was a culture in northwestern Peru, flourishing between 100 and 700. It was a collection of culturally united, but politically autonomous polities. It was a collection of culturally united, but politically autonomous polities.
Aiapaec in a wall in the Huaca de la Luna. Aiapæc or Ai Apaec (from Colonial Mochica aiapæc *[ajapʷɨk] "creator" [1]), [2] Wrinkled Face, [3] the snake-belted figure, [4] or the god of the mountains, [2] [5] [6] is a mythical character identified in Moche iconography, and possibly the main Moche deity.
Moche stone maces, Larco Museum, Lima, Peru The problem with early maces was that their stone heads shattered easily and it was difficult to fix the head to the wooden handle reliably. The Egyptians attempted to give them a disk shape in the predynastic period (about 3850–3650 BC) in order to increase their impact and even provide some ...
Cutwork or cut work, also known as punto tagliato in Italian, is a needlework technique in which portions of a textile, typically cotton or linen, [1] are cut away and the resulting "hole" is reinforced and filled with embroidery or needle lace.