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Chopsticks" (original name "The Celebrated Chop Waltz") is a simple, widely known waltz for the piano. Written in 1877, it is the only published piece by the British composer Euphemia Allan (under the pen name Arthur de Lulli). [ 1 ]
Frédéric Chopin's waltzes are pieces of moderate length for piano, all written between 1824 and 1849. They are all in waltz triple meter, specifically 3/4 (except Op. P1/13, which is in 3/8 time), but differ from earlier Viennese waltzes in not being intended for dancing; nonetheless, several have been used in ballets, most notably Les Sylphides.
Frédéric Chopin's Waltz No. 19 in A minor, B. 150, WN 63, KK IVb/11, P. 2/11, is a waltz for solo piano. The waltz was written sometime between 1847 and 1849, [ 1 ] but was not published until 1860, after the composer's death, by Jacques Maho.
Atypically short, in performance the waltz lasts approximately one minute [2] to eighty seconds. [1] In the key of A minor and in 3 4 time , the score includes fingerings , while unusual dynamics include a fortississimo ("triple forte "; fff ) near the beginning and before the theme emerges—described by pianist Lang Lang as evocative of ...
The Grande valse brillante in E-flat major, Op. 18, was composed by Frédéric Chopin in 1833 and published in 1834. Chopin dedicated it to his pupil, Laura Horsford. [1] This was his first published waltz composition for solo piano, although prior to 1834 he had written at least sixteen waltzes that were either destroyed or eventually published posthumously.
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Shawn began composing at the age of ten, but dates his mature work from 1977. He has written a dozen orchestral works, including a symphony, two piano concertos, a cello concerto, and a violin concerto; three chamber operas; five piano sonatas and many additional works for piano; and a large catalogue of chamber music, songs and choral music.
The manuscript, measuring 130 by 102 millimetres (5.1 in × 4.0 in), was discovered by museum staff in 2019, during cataloguing of a bequest by Arthur Satz, who had purchased it from the wife of amateur pianist and former director of the New York School of Interior Design Augustus Sherrill Whiton Jr. [2] [3] Written in brown iron gall ink on machine-made wove paper that is somewhat yellower ...