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Louis Armstrong – "What a Wonderful World"; Julie London – "When I Fall in Love"; Cassandra Wilson – "Tupelo Honey"; Peggy Lee – "You're Getting to Be a Habit with Me"; Dinah Shore – "The Man I Love"
Lou Rawls – 'For What It's Worth" Maze – "Joy And Pain"; Timmy Thomas – "Why Can't We Live Together" The Isley Brothers – "That Lady"; Bobbi Humphrey – "You Are The Sunshine Of My Life"
Toggle Smooth Jazz Airplay number-ones for 2022 subsection. 1.1 2022 number-ones. 2 References. ... Read; Edit; View history; Tools. Tools. move to sidebar hide ...
January 2 "Better Days Ahead" Gerald Albright [1] January 9 [2] January 16 [3] January 23 "Blue Moon" Skinny Hightower [4] January 30 "Don't Wanna Let Go" Riley Richard [5] February 6 [6] February 13 [7] February 20 "Too Tuff" Freddie Fox [8] February 27 "Magic Hour" Sean U featuring Blake Aaron [9] March 6 "Style and Elegance" JJ Sansaverino ...
2 [35] 252 March 27 Willie Bradley featuring James Lloyd "It's My Time" 1 [36] 253 April 3 Patrick Bradley "Exhale" 1 [37] 254 April 10 Paul Hardcastle "Welcome to the Beach" 2 [38] 255 April 24 Julian Vaughn "Sway" 1 [39] 256 May 1 Dave Koz featuring Paul Jackson Jr. "Dr. Norm" 2 [40] 257 May 15 Norman Brown "Just Groovin'" 2 [41] 258 May 29 ...
The mid- to late-1970s included songs "Breezin'" as performed by another smooth jazz pioneer, guitarist George Benson in 1976, the instrumental composition "Feels So Good" by flugelhorn player Chuck Mangione, in 1978, "What You Won't Do for Love" by Bobby Caldwell along with his debut album was released the same year, jazz fusion group Spyro Gyra's instrumental "Morning Dance", released in ...
The Weather Channel Presents: Smooth Jazz II is a 2008 compilation by Midas Records. It was the second album from the Weather Channel and included their most requested music from the Local on the 8s segments. [2] It peaked at No. 9 on Billboard's Top Contemporary Jazz charts in the same year. [3]
The smooth jazz format also added R&B; according to Cary Goldberg of JVC, Paul Hardcastle "brought a sophisticated, urban groove" to the format. She said, "Instead of bringing jazz to R&B, he's brought an R&B groove to contemporary jazz." [7] The smooth jazz music mix included 70 percent instrumentals and 30 percent vocals.