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For example, Bertolt Brecht viewed catharsis as a pap (pabulum) for the bourgeois theatre audience, and designed dramas which left significant emotions unresolved, intending to force social action upon the audience. Brecht then identified the concept of catharsis with the notion of identification of the spectator, meaning a complete adhesion of ...
[4] For Else, catharsis is an Aristotelian concept which must be read alongside the literary concepts of mimesis and hamartia as well. These latter two concepts are usually paraphrased as "literary representation" and "intellectual error" in Else's appraisal of Aristotle's literary aesthetic theory.
Freud initially thought of calling the case "Dreams and Hysteria", and it was as a contribution to dream analysis, a pendent to his Interpretation of Dreams, that Freud saw the rationale for publishing the fragmentary analysis. [5] Ida (Dora) recounted two dreams to Freud. In the first: [a] house was on fire.
[21] [22] Identification is when a reader associates themselves with the character or situation in the literary work. Catharsis is when the reader shares many of the same thoughts and feelings of the characters in the literary work, and insight is when the reader realizes that they relate to the character or situation and learn to deal more ...
A research proposal is a document proposing a research project, generally in the sciences or academia, and generally constitutes a request for sponsorship of that research. [1] Proposals are evaluated on the cost and potential impact of the proposed research, and on the soundness of the proposed plan for carrying it out. [ 2 ]
The Freudian slip is named after Sigmund Freud, who, in his 1901 book The Psychopathology of Everyday Life, [1] described and analyzed a large number of seemingly trivial, even bizarre, or nonsensical errors and slips, most notably the Signorelli parapraxis.
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]
Mimesis criticism is a method of interpreting texts in relation to their literary or cultural models. Mimesis, or imitation (imitatio), was a widely used rhetorical tool in antiquity up until the 18th century's romantic emphasis on originality.