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Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating in the 2nd century BC.
Black-figure is the most commonly imagined when one thinks about Greek pottery. It was a popular style in ancient Greece for many years. The black-figure period coincides approximately with the era designated by Winckelmann as the middle to late Archaic, from c. 620 to 480 BC.
Chalcidian pottery is a style of Western Greek black-figure vase painting. The style's name is derived from the occasional presence of mythological inscriptions on the vases, which are executed in the Chalcidian alphabet .
Exekias (Ancient Greek: Ἐξηκίας, Exēkías) was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. [1] Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision.
Different from the Kothon, Black Figure Tripod discussed in this article, this Komast cup from the Louvre is an example of how Komasts were depicted on ancient Greek pottery. The second leg of the tripod features two male dancers, or Komasts (drunken, ritualistic dancers who were frequently depicted on Greek pottery), engaged in an intimate ...
Inside of the cup. The Dionysus Cup is the modern name for one of the best known works of ancient Greek vase painting, a kylix (drinking cup) dating to 540–530 BC. It is one of the masterpieces of the Attic black-figure potter Exekias and one of the most significant works in the Staatliche Antikensammlungen in Munich.
The amphora is a piece of black-figure pottery, deriving from the region of Attica, which is located in Mainland Greece to the south of Boeotia, with Athens as its capital. The work is now stored in the Musée des beaux-arts de Lyon under the inventory number E 581-c, in the department of antiquities. It was a donation of Joseph Gillet in 1923.
The Euphiletos Painter Panathenaic Amphora is a black-figure terracotta amphora from the Archaic Period depicting a running race, now in the Metropolitan Museum of Art in New York. It was painted by the Euphiletos Painter as a victory prize for the Panathenaic Games in Athens in 530 BC.
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