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Seneca's main sources were Stoic.J. Fillion-Lahille has argued that the first book of the De Ira was inspired by the Stoic philosopher Chrysippus' (3rd-century BC) treatise On Passions (Peri Pathôn), whereas the second and third drew mainly from a later Stoic philosopher, Posidonius (1st-century BC), who had also written a treatise On Passions and differed from Chrysippus in giving a bigger ...
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
Calchas (/ ˈ k æ l k ə s /; Ancient Greek: Κάλχας, Kalkhas) is an Argive mantis, or "seer," dated to the Age of Legend, which is an aspect of Greek mythology.Calchas appears in the opening scenes of the Iliad, which is believed to have been based on a war conducted by the Achaeans against the powerful city of Troy in the Late Bronze Age.
The Wrath of Achilles is my theme, that fatal wrath which, in fulfillment of the will of Zeus, brought the Achaeans so much suffering and sent the gallant souls of many noblemen to Hades Chase, Alsten Hurd: 1906–1994, American chairman of preparatory school classics department [64] 1950 Boston, Little Brown
In Book I, the Wrath of Achilles first emerges in the Achilles-convoked meeting, between the Greek kings and the seer Calchas. King Agamemnon dishonours Chryses, the Trojan priest of Apollo, by refusing with a threat the restitution of his daughter, Chryseis—despite the proffered ransom of "gifts beyond count". [ 36 ]
Mahakala statue, holding a flaying knife (kartika) and skullcup (kapala). In Buddhism, wrathful deities or fierce deities are the fierce, wrathful or forceful (Tibetan: trowo, Sanskrit: krodha) forms (or "aspects", "manifestations") of enlightened Buddhas, Bodhisattvas or Devas (divine beings); normally the same figure has other, peaceful, aspects as well.
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Rintrah is a character in William Blake's mythology, representing the just wrath of the prophet.Rintrah first appears in The Marriage of Heaven and Hell: "Rintrah roars and shakes his fires in the burdened air" shows him personifying revolutionary wrath. [1]