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View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [1] Original (left) and colorized reoriented enhancement (right).. The history of photography began with the discovery of two critical principles: The first is camera obscura image projection; the second is the discovery that some substances are visibly altered by exposure to light. [2]
Stieglitz was notable for introducing fine art photography into museum collections. Fine-art photography is photography created in line with the vision of the photographer as artist, using photography as a medium for creative expression. The goal of fine-art photography is to express an idea, a message, or an emotion.
The Photo History Timeline Collection; In the eye of the camera — Illustrated historical essay about early photography; Lippmann's and Gabor's Revolutionary Approach to Imaging; The Digital Camera Museum with accurate history section and many rare items Archived 2017-02-16 at the Wayback Machine; The Fascinating Timeline of Photography Technology
Photography – process of making pictures by the action of recording light patterns, reflected or emitted from objects, on a photosensitive medium or an image sensor through a timed exposure. The process is done through mechanical , chemical , or electronic devices known as cameras .
The first permanent photograph, a contact-exposed copy of an engraving, was made in 1822 using the bitumen-based "heliography" process developed by Nicéphore Niépce.The first photographs of a real-world scene, made using a camera obscura, followed a few years later at Le Gras, France, in 1826, but Niépce's process was not sensitive enough to be practical for that application: a camera ...
In 1839, the daguerreotype photographic process invented in France was introduced into the United States by an Englishman named D.W. Seager, who took the first photograph of a view of St. Paul’s Church and a corner of the Astor House in Lower Manhattan in New York City.
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The Real Thing, Hayward Gallery, 1974.Curated by Jeffrey and David Alan Mellor. [5]Cityscape 1910-39: Urban Themes in American, German and British Art, Cartwright Hall, Bradford, 1977; City Museum and Art Gallery, Portsmouth, 1977; Laing Art Gallery, Newcastle-upon-Tyne, 1977; Royal Academy of Arts, London, 1978.