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IV-V-I-VI chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
5-20: 0 4 7 e 6: Major Magic chord: Play ... 0 1 4 6 7 t: Bitonal Power chord P5: ... List of set classes; Ninth chord; Open chord;
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
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This chord might be notated Cm 6, Cm M6, Cmin/maj 6, Cmin (maj6), etc. Note that Cm 6 has the same notes as F 9 with the root omitted, i.e. the notes F (omitted), A, E ♭, C, and G. These notes form a tetrad with several enharmonic equivalents: C–E ♭ –G–A might be written as Cm 6, F 9, F 9 (no root), Am 7 ♭ 5, B 7 ♭ 9, A ♭ Maj7 ...
Minor 6/9 C chord, featuring the major sixth degree of the jazz minor scale. [16] Play ⓘ Second factor (D), in red, of a C added second chord, C add2. Play ⓘ The 6/9 chord is a pentad with a major triad joined by a sixth and ninth above the root, but no seventh.