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"The Fool" is a song written by Naomi Ford and Lee Hazlewood and performed by Sanford Clark. It reached #5 on the U.S. R&B chart, #7 on the U.S. pop chart, and #14 on the U.S. country chart in 1956. [1] Al Casey played guitar on the record [2] and it was ranked #42 on Billboard magazine's Top 50 singles of 1956. [3]
This is a partial list of songs that originated in movies that charted (Top 40) in either the United States or the United Kingdom, though frequently the version that charted is not the one found in the film. Songs are all sourced from, [1] [2] and,. [3] For information concerning music from James Bond films see
"Ukulele Lesson" 78 rpm disc label. Breen is credited with convincing publishers to include ukulele chords on their sheet music. The Tin Pan Alley publishers hired her to arrange the chords and her name is on hundreds of examples of music from the 1920s on. [6] Her name appears as a music arranger on more pieces than any other individual. [7]
Rocky and Bullwinkle sing "Side by Side" in the movie The Adventures of Rocky and Bullwinkle. "Side by Side" is the opening song of the movie Kit Kittredge: An American Girl. Lauren Ambrose sings the song in the film Sleepwalk With Me (2012). The characters Florence and Harry Bentley sing "Side by Side" in the episode of The Jeffersons ...
The song was covered by Eddie Vedder and Chan Marshall (of Cat Power) on Vedder's second solo album, Ukulele Songs (2011). The song was featured in a 2013 TV commercial for Milka named "Le dernier carré" [9] The song was sung by Sutton Foster and Hunter Foster in episode fourteen ("The Astronaut and the Ballerina") of Bunheads (2013).
Songs only; score composed by Michael J. Lewis Nominated—Academy Award for Best Original Song ("If We Were In Love," lyrics by Alan & Marilyn Bergman) Nominated—Golden Globe Award for Best Original Song ("If We Were In Love," lyrics by Alan & Marilyn Bergman) Monsignor: Frank Perry: Frank Yablans Presentations 20th Century Fox
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Mighty Uke follows the history of the ukulele's popularity from its earliest days in the court of Hawaiian King David Kalākaua through the ‘lost’ years, then its first revival on early radio and the stages of vaudeville; then through several decades in the shadows again as jazz flourished until the days of early television and revival again with stars such as Arthur Godfrey.