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Early examples of short stories were published separately between 1790 and 1810, but the first true collections of short stories appeared between 1810 and 1830 in several countries. [ 17 ] The first short stories in the United Kingdom were gothic tales like Richard Cumberland 's "remarkable narrative", "The Poisoner of Montremos" (1791). [ 18 ]
The short story consists of two paragraphs. The narrative perspective is not established and shifts between the paragraphs. An anonymous narrator tells the story, while an impersonal perspective by someone superior adds ironic comments. The second paragraph is dominated by Poseidon's dissatisfaction, but again he is not the narrator.
Dealing with a strong cough, Anton Chekhov wrote "The Student" while on a monthlong vacation to Yalta, a city he found to be "ever so boring". [2] The story, which initially bore the title "In the Evening", was published in issue number 104 of the newspaper Russkie Vedomosti (The Russian News) [b] on April 16, 1894, [a] and, at just four pages long, was one of Chekhov's shortest stories.
Gabriel Conroy – the main character of the story. 15 Usher's Island, the house once partly rented by Joyce's great aunts which was the model for "the dark gaunt house on Usher's Island", the principal setting for the story The statue of William III of England on Dame Street, Dublin, appears in a story told by Gabriel about his grandfather Patrick Morkan.
The Collected Stories of Vernor Vinge is a collection of science fiction short stories by American writer Vernor Vinge. The stories were first published from 1966 to 2001, and the book contains all of Vinge's published short stories from that period except " True Names " and " Grimm's Story ".
The following, by the British author William Boyd on the short story, might be applied to all prose fiction: [short stories] seem to answer something very deep in our nature as if, for the duration of its telling, something special has been created, some essence of our experience extrapolated, some temporary sense has been made of our common ...
None of the thirteen "Texts for Nothing" were given titles; they present a variety of voices thrust into the unknown. According to S. E. Gontarski: "What one is left with after the Texts for Nothing is 'nothing,' incorporeal consciousness perhaps, into which Beckett plunged afresh in English in the early 1950s to produce a tale rich in imagery but short on external coherence."
The act of writing short stories is different from the act of gathering short stories into a collection. [6] For instance, the short story author may or may not be the one who compiles the short story collection, even though the author penned the individual stories. This is especially obvious in the case of posthumous publications.