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Systematic musicology is an umbrella term, used mainly in Central Europe, for several subdisciplines and paradigms of musicology. "Systematic musicology has traditionally been conceived of as an interdisciplinary science, whose aim it is to explore the foundations of music from different points of view, such as acoustics, physiology, psychology, anthropology, music theory, sociology, and ...
Systematic Musicology [ edit ] In the field of systematic musicology , Pareyon’s book On Musical Self-Similarity (Helsinki, 2011) [ 9 ] predicts the role of analogy as one of the capital issues for future musicology and cognitive science, foreseeing conclusions of Hofstadter & Sander's Surfaces and Essences (2013).
The last phase of la Motte-Haber's life's work is dedicated to the permanent academic establishment of systematic musicology. The six-volume "Handbuch der Systematischen Musikwissenschaft" (Handbook of Systematic Musicology), conceived and published by her, is the foundation of her professional autonomy from traditional historical musicology.
Download as PDF; Printable version ... ("systematic musicology"). In Adler's article, systematic musicology included Musikologie or ... at Hargrett Rare Book and ...
Since 2008 Parncutt has directed the Centre for Systematic Musicology at the University of Graz. In 2004 he founded the series Conference in Interdisciplinary Musicology , and in 2008 he became founding academic editor of the Journal of Interdisciplinary Music Studies .
Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and computer science. Musicology is traditionally divided into three branches: music history, systematic musicology, and ethnomusicology. Historical musicologists study the history of musical ...
This legacy was carried forward by his student Bruno Nettl who continued the work of bring together ethnology and cultural anthropology with historical and systematic musicology. [2] Herzog was a North American pioneer in the field of ethnomusicology and posed such radical research questions as: "do animals have music?" (1941). [3]
Embodied music cognition is a direction within systematic musicology interested in studying the role of the human body in relation to all musical activities.. It considers the human body as the natural mediator between mind (focused on musical intentions, meanings, significations) and physical environment (containing musical sound and other types of energy that affords human action).