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The unpainted windows and stairway banister have natural wood finishes that have darkened over time. The doors, stairway panels below the railing, and dining room wainscoting have the same 19th century oak graining. The wallpapers, picture railings, period furnishings, and potted ferns are in the same style as the Victorian features of the ...
He made a skilful of different-colored brick and stone to create decorative designs on the facade, and added triangular sculpted windows on the roof level, and, in the interior. a very remarkable central stairway with curling iron railings and hexagonal windows of colored and clear glass bricks In 1928 he entered the building into the ...
Guimard had followed Horta's advice in the decor of Castel Beranger; in the Hôtel Guimard he followed this advice in the wrought-iron railings, the door and window frames and curves of the building itself, which seemed to be a living thing. [10] The architect Paul Guadet (1873–1931) was another pioneer in the use of reinforced concrete.
Following the ideas of Viollet-le-Duc, he used modern materials, including an iron frame interior, combined with sculpture by Pierre Roche and ceramic tiles by Alexandre Bigot, who tiles were used in the facades of many Art Nouveau buildings. The open interior with its iron columns and arches was a strikingly modern.
Ficken added some of his own decorative touches to the house, such as the front door, interior paneling and wrought iron porches on the south and east facades. [7] Almost all the materials came from local sources. Hemlock timbers were floated down the Delaware on rafts from Lackawaxen, and another river town, Shohola, provided the bluestone and ...
Cast iron was not useful for items in tension like beams, where the more expensive wrought iron was preferred. Improvements in production saw the costs decrease at the same time as cast iron gained popularity. The puddling process, patented in 1784, was a relatively low cost method for producing a structural grade wrought iron.
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