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"Marryuna" (English: "Let's Dance") [2] is a song by Australian musician Baker Boy featuring Yirrmal, released independently on 6 October 2017. The song ranked at number 17 in Triple J 's Hottest 100 of 2017 .
"Meditjin" was the recipient of various awards, including Film Clip of the Year and Song of the Year at the 2020 National Indigenous Music Awards and second place in the 2021 Vanda & Young Global Songwriting Competition, and was used in an advertisement for the 2020 AFL season.
Danzal James Baker OAM (born 10 October 1996), known professionally as Baker Boy, is a Yolngu rapper, dancer, artist, and actor. Baker Boy is known for performing original hip-hop songs incorporating both English and Yolŋu Matha and is one of the most prominent Aboriginal Australian rappers.
Critics' Choice Movie Award for Best Song; Academy of Canadian Cinema and Television Award for Best Achievement in Music – Original Song; Golden Globe Award for Best Original Song; Golden Raspberry Award for Worst Original Song; Metro Manila Film Festival Award for Best Original Theme Song; Mnet Asian Music Award for Best OST
a ravanahatha (an ancient instrument used in India, Sri Lanka and surrounding areas, originating from Hela People, then brought to North India by Hanuman, then to India) other rattles, whistles, and percussive instruments; Faust's throat singing recalls the Tibetan or Mongolian style. Juul uses a chirping whisper as vocals.
Rupam Sarmah is a musician, filmmaker, entrepreneur, author, sound engineer, and computer scientist. Rupam is a Guinness World Records holder and had a #1 release on the Billboard World Music chart (Together in Peace, 2017).
In Turkey, Melodicas are used on music class in first grade school. In the PDQ Bach oratorio "Oedipus Tex", a melodica is used as the continuo instrument. British musician Damon Albarn has frequently used the melodica, most notably on the movie soundtrack 101 Reykjavík, on the Mali Music collaboration project and with animated band Gorillaz.
Many of the instruments were used in such atypical ways they were virtually unidentifiable. His score was, however, heavily edited during post-production and Goldsmith was required to rewrite music for several scenes. The final score resulted in several pieces being moved, replaced, or cut entirely.