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Seattle FilmWorks, Inc., was a mail order photographic film processing company that sold re-spooled 35mm motion picture film.It was founded in 1976 as American Passage Marketing by Gilbert Scherer. [1]
Kodak made the processing information (by then C-22 process) and chemicals available to other film processing labs. While Kodacolor film was normally daylight balanced, for a while starting in 1956 [6] it was balanced in-between daylight and tungsten, to allow use indoors, or with clear flash bulbs. This film used the prefix CU.
A film laboratory is a commercial service enterprise and technical facility for the film industry where specialists develop, print, and conform film material for classical film production and distribution which is based on film material, such as negative and positive, black and white and color, on different film formats: 65-70mm, 35mm, 28mm, 16mm, 9.5mm, 8mm.
Photographic processing or photographic development is the chemical means by which photographic film or paper is treated after photographic exposure to produce a negative or positive image. Photographic processing transforms the latent image into a visible image, makes this permanent and renders it insensitive to light.
Fotokem was founded by Gerald Brodersen in 1963, [2] starting as a small scale film laboratory in California for independent film productions. Services include telecine from 16mm, 35mm and 65mm to standard definition or high definition; high-resolution scans; film scanning and recording; DVD-creation; editing; digital intermediates, optical track creation; nonlinear finishing; titling, video ...
The 1998 film Buffalo '66 was also shot on Ektachrome and actually processed in its genuine E6 reversal process, however this production used Ektachrome 160T 5239, [37] an old stock originally introduced in 1975 [38] that would turn out greenish upon processing and the film properties of which, although still sold by that time, were heavily ...
Color stock is suitable for C-41 process in labs as it produced by Eastman Kodak under contract without the normal Remjet backing, a separate lubricating and Anti-halation backing used to protect the film in motion picture cameras. This means that the films lack the normal anti-halation layer also found in still camera film resulting in a ...
CineStill's 50Daylight, also known as 50D, is a daylight balanced (5500K) color negative film that is a variant of Kodak's Vision3 5203 motion picture cinema film. It can be rated anywhere between EI 12-100 without the need for push or pull processing. Similar to the 800T, 50D has its remjet layer removed which results in a slight halation effect.
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