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First Prize: Graphic Arts award from the Art Association of the Philippines (1976) First Runner-up: Grand Art Competition in Manila sponsored by the Art Association of the Philippines (1976) Manolito Tolentino Mayo (December 17, 1954 – May 4, 1983) [ 1 ] was a Filipino graphic artist, printmaker, avantgarde poet, sculptor, and art professor ...
Félix Resurrección Hidalgo y Padilla (February 21, 1855 – March 13, 1913) was a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano ...
Yves Klein (April 28, 1928 – June 6, 1962) (see Neo-Dada) Hans Leybold (April 2, 1892 – September 8, 1914) Filippo Tommaso Marinetti (December 22, 1876 – December 2, 1944) Agnes Elizabeth Ernst Meyer (1887 – 1970) Pranas Morkūnas (October 9, 1900 – December 28, 1941) Clément Pansaers (May 1, 1885, – October 31, 1922)
Juan Luna de San Pedro y Novicio Ancheta (Spanish: [ˈxwan ˈluna], Tagalog: [hwɐn ˈluna]; October 23, 1857 – December 7, 1899) was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century.
Notable 19th-century oil paintings include Basi Revolt paintings, Sacred Art of the Parish Church of Santiago Apostol (1852), Spoliarium (1884), La Bulaqueña (1895), and The Parisian Life (1892). [230] A notable modern painting s The Progress of Medicine in the Philippines (1953). [230] After World War II, paintings were influenced by the ...
Pacita Abad's works have been displayed in galleries and museums in the Philippines during the annual Philippine Arts Month and art festivals. [12] [13] [14] In 2019, Tate Modern exhibited Abad's 3 quilted canvas works - "Bacongo III-IV" (1986) and "European Mask" (1990). In the same year, Abad's trapunto quilting paintings were shown in Frieze ...
Guillermo Estrella Tolentino (July 24, 1890 – July 12, 1976) was a Filipino sculptor and professor of the University of the Philippines. He was designated as a National Artist of the Philippines for Sculpture in 1973, three years before his death. [3]
By introducing modern ideas into the Philippine art scene, Victorio Edades managed to destroy the conventions of domestic art, and also got rid of the clichéd ideology he believed stunted the development of Philippine art. His defiance to what the Conservatives structured as ‘art’ was a conscious call for real artistic expression.