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The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts.
The Womb Realm is a very popular subject for mandalas, and along with the Diamond Realm (vajradhātu) Mandala forms the Mandala of the Two Realms. This mandala, along with the Diamond Realm, form the core of Chinese Tangmi and Japanese Tendai and Shingon Buddhist rituals, including abhisheka "initiation".
Another related form is the painted wooden top cover for a manuscript book, giving a long narrow strip, typically some 6 cm by 55 cm, often painted with a row of seated figures in compartments. The techniques for both these forms are essentially the same as for thangka, and presumably the same artists worked on them.
The Tenjukoku Shūchō Mandala (天寿国繍帳) is a Japanese work of textile art. It is the oldest known example of embroidery in Japan, dating back to 622 CE. It was created in honour of Prince Shōtoku , one of the earliest proponents of Japanese Buddhism .
Tabo Monastery (or Tabo Chos-Khor Monastery [1]) is located in the Tabo village of Spiti Valley, Himachal Pradesh, northern India.It was founded in 996 CE in the Tibetan year of the Fire Ape [2] by the Tibetan Buddhist lotsawa (translator) Rinchen Zangpo (Mahauru Ramabhadra), on behalf of the king of western Himalayan Kingdom of Guge, Yeshe-Ö. [2]
The Sampul tapestry, woollen wall hanging, 3rd–2nd century BC, Sampul, Ürümqi Xinjiang Museum. The Hestia Tapestry, 6th century, Byzantine Egypt, Dumbarton Oaks Collection. The Cloth of Saint Gereon – early 11th-century, the oldest European tapestry still extant. Tapestry of Creation, 11th-century, Spain. Large needlework hanging with ...
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