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Nihonga (Japanese: 日本画) is a Japanese style of painting that uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as Yōga (洋画) or Western-style painting.
Japanese Modern Art Painting From 1910 . Edition Stemmle. ISBN 3-908161-85-1; Watson, William, The Great Japan Exhibition: Art of the Edo Period 1600-1868, 1981, Royal Academy of Arts/Weidenfeld & Nicolson; Momoyama, Japanese art in the age of grandeur. New York: The Metropolitan Museum of Art. 1975. ISBN 978-0-87099-125-7. Murase, Miyeko (2000).
Gihachiro Okuyama (奥山 儀八郎, Okuyama Gihachirō, February 17, 1907 – October 1, 1981) was a 20th-century Japanese commercial artist and woodblock printmaker.He was a prolific artist of the shin-hanga and sōsaku-hanga styles.
Bonseki (盆石, "tray rocks") is the ancient Japanese art of creating miniature landscapes on black trays using white sand, pebbles, and small rocks. [1] Small delicate tools are used in Bonseki such as feathers, small flax brooms, sifters, spoons and wood wedges. The trays are either oval or rectangular, measuring about 60 by 35 centimeters ...
Nishiki-e (錦絵, "brocade picture") is a type of Japanese multi-coloured woodblock printing; the technique is used primarily in ukiyo-e. It was invented in the 1760s, and perfected and popularized by the printmaker Suzuki Harunobu , who produced many nishiki-e prints between 1765 and his death five years later.
Japanese art consists of a wide range of art styles and media that includes ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, bonsai, and more recently manga and anime.
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