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Pine soot ink is made from the soot of pine wood. It has less glue and so spreads more than oil soot ink. It gives a blueish-black color and is good for calligraphy and gongbi painting. Lacquer soot ink is made from the soot of dried raw lacquer. It has a shiny appearance and is most suitable for painting. Charcoal ink is made using ordinary ...
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The brushes produced by Kuretake Sumi were designed for sumi-e, or inkwash painting. In 1965, Kuretake Industries Co., Ltd. was established as a plant specializing in the production of writing instruments while Tokyo office was established. [3] In 1986, a subsidiary, "Kuretake U.K. Ltd." was established in the West Midlands, England. [3]
Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà); is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations.
Sumi. A black ink made from charcoal soot and glue, usually compressed into an inkstick and ground with water. [3] Hanshi. A thin, absorbent Japanese washi paper designed for calligraphy. [4] Suzuri. A fine inkstone with a depression in which the ink is ground. [5] Shitajiki. A thin wool sheet that evens the pressure on the paper and protects ...
Toko Shinoda (篠田 桃紅, Shinoda Tōkō, 28 March 1913 – 1 March 2021) was a Japanese artist. Shinoda is best known for her abstract sumi ink paintings and prints. . Shinoda's oeuvre was predominantly executed using the traditional means and media of East Asian calligraphy, but her resulting abstract ink paintings and prints express a nuanced visual affinity with the bold black ...
Sumizuri-e is a type of monochromatic woodblock printing that uses only black ink. It is one of the earliest forms of Japanese woodblock printing , dating back to the Nara period (710 – 794). Sumi-e translates to “ink wash painting,” which is a type of East Asian brush painting technique that uses black ink.
Stylistically, the Shijō style can best be described as a synthesis of two rival styles of the time. Maruyama Ōkyo was an experienced and expert painter of sumi-e ink paintings, and accomplished a great degree of realism in his creations, emphasizing direct observation of depicted subjects which was a direct contravention of the officially sponsored schools of the time, Kanō and Tosa, which ...