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Deep structure and surface structure (also D-structure and S-structure although those abbreviated forms are sometimes used with distinct meanings) are concepts used in linguistics, specifically in the study of syntax in the Chomskyan tradition of transformational generative grammar.
What was distinctive about transformational grammar was that it posited transformation rules which mapped a sentence's deep structure to its pronounced form. For example, in many variants of transformational grammar, the English active voice sentence "Emma saw Daisy" and its passive counterpart "Daisy was seen by Emma" would share a common deep ...
In Syntactic Structures, the term "transformation" was borrowed from the works of Zellig Harris. Harris was Chomsky's initial mentor. Harris used the term "transformation" to describe equivalence relations between sentences of a language. By contrast, Chomsky's used the term to describe a formal rule applied to underlying structures of ...
Mythological characters have influence that extends to recent works of literature. The poet Platon Oyunsky draws heavily from the native mythology of his homeland, the Yakut region in Russia and the Sahka people. In several of his stories, he depicts a main character that follows historic examples of heroism, but fashions the main character ...
The distinction elevates the role of syntax by locating the theory of voice (active vs. passive) almost entirely in syntax (as opposed to in the lexicon). A theory of syntax that locates the active-passive distinction in the lexicon (the passive is not derived via transformations from the active) rejects the distinction entirely.
Illustration of the hero's journey. In narratology and comparative mythology, the hero's quest or hero's journey, also known as the monomyth, is the common template of stories that involve a hero who goes on an adventure, is victorious in a decisive crisis, and comes home changed or transformed.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
The three transformations move one of the three notes of the triad to produce a different triad: The P transformation exchanges a triad for its Parallel. In a Major Triad move the third down a semitone (C major to C minor), in a Minor Triad move the third up a semitone (C minor to C major) The R transformation exchanges a triad for its Relative ...