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The verses that generally constitute the modern version of the song are: [4] I've been working on the railroad All the live-long day. I've been working on the railroad Just to pass the time away. Can't you hear the whistle blowing, Rise up so early in the morn; Can't you hear the captain shouting, "Dinah, blow your horn!" Dinah, won't you blow,
" Leve Palestina", which Totari wrote as a protest song in response to the limitations on openly criticizing Israel and the denial of Palestinian identity in the country at the time, [2] [4] [7] was released as the last song of the 1978 album Mitt hemlands jord / أرض بلادي [a] under the title "Demonstrationssången / تحيا ...
"Long Day" is the first single and second track from Matchbox 20's debut album, Yourself or Someone Like You (1996). The cover of the single features a parody of a Diamond Matches box. The song peaked at number eight on the US Mainstream Rock Tracks chart and stayed in the top 10 for seven weeks. The song also charted in Canada and Australia ...
"All the Way Live" is a chill synth-filled song. Future gives many references to Marvel characters such as Venom and the Avengers. [2] while Lil Uzi Vert sings from the perspective of Miles Morales from the film Spider-Man: Across the Spider-Verse: "The world's in my hand, got powers in my palm, Look over the city, 'cause I'm on my own, Got no time for minglin', my senses tinglin' Every time I ...
The song, musically, is a mashup of Bob Seger's "Night Moves", Lynyrd Skynyrd's "Sweet Home Alabama" and Warren Zevon's "Werewolves of London". [3] This composition originated from a beat developed by Violent J of Insane Clown Posse while working with Mike E. Clark, a mutual collaborator of Kid Rock's, who sampled Warren Zevon's "Werewolves of London" and had put the tape aside for an Insane ...
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"All Night Long (All Night)" is a song by American singer and songwriter Lionel Richie from his second solo album, Can't Slow Down (1983). The song combined Richie's Commodores style with Caribbean influences.
"Long as I Live" is a song by American singer Toni Braxton from her eighth studio album Sex & Cigarettes (2018). Written by Braxton, Paul Boutin , and Antonio Dixon , whom also produced the track, it is a "soulful '90s-style" R&B and soul track that finds the singer struggling with breaking up and moving on from her past lover.