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A sonatina (French: “sonatine”, German: “Sonatine") is a small sonata. As a musical term, sonatina has no single strict definition; it is rather a title applied by the composer to a piece that is in basic sonata form , but is shorter and lighter in character, or technically more elementary, than a typical sonata. [ 1 ]
Sonatina, Sz. 55, BB. 69 is a piece for solo piano written in 1915 by Hungarian composer Béla Bartók.Initially entitled Sonatina on Romanian folk tunes, it is based on folk tunes Bartók collected in his neighbour country Romania, which, even though he proclaimed Hungarian folk music was clearly superior, was a direct source of inspiration all along his active years.
Sonatina is a work for piano solo in three movements composed in 1926–27 by John Ireland (1879–1962). [1] He dedicated it to his friend, the conductor and BBC music producer, Edward Clark . [ 2 ]
Sonatina for oboe and piano, Op. 51 (1965) Sonata for bassoon and piano (1968) 3 Pieces for oboe, viola and piano (1970s) 3 Inventions for flute and oboe (or any 2 melodic instruments) (1970) Sonatina for flute and piano (1970) Trio Sonata for viola, bass clarinet and piano (1973) In the Lowlands for tuba and piano (1975) Rhapsody for viola and ...
The Violin Sonatina in E major, Op. 80, is a three-movement duo for violin and piano [2] written in 1915 by the Finnish composer Jean Sibelius. The main theme of the third movement was originally intended for the Sixth Symphony (Op. 104).
The Sonatina is a clear example of neoclassicism in Piston's work, and shows the influence of Igor Stravinsky. [3] The sonatina-form first movement is in B ♭ major, and is typified by a restless, exhaustive energy produced by abrupt changes to remote keys: F ♯ minor, A major, and A ♭ major.
Download as PDF; Printable version; ... Many pieces by Feldman are titled after the instruments used: ... [Sonatina], for cello and piano (1946)
The Sonatine bureaucratique (Bureaucratic sonatina) is a 1917 piano composition by Erik Satie. The final entry in his humoristic piano music of the 1910s, it is Satie's only full-scale parody of a single musical work: the Sonatina Op. 36 N° 1 (1797) by Muzio Clementi. [1] In performance it lasts around 4 minutes.