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Hyperbaton / h aɪ ˈ p ɜːr b ə t ɒ n /, in its original meaning, is a figure of speech in which a phrase is made discontinuous by the insertion of other words. [1] In modern usage, the term is also used more generally for figures of speech that transpose sentences' natural word order, [2] [3] which is also called anastrophe.
Hyperbaton – a figure of speech in which words that naturally belong together are separated from each other for emphasis or effect. Hyperbole – a figure of speech where emphasis is achieved through exaggeration, independently or through comparison; for example (from Rhetorica ad Herennium ), "His body was as white as snow, his face burned ...
This poetry form was a favorite with Latin poets. It is described by the website Silva Rhetoricae as "Hyperbaton or anastrophe taken to an obscuring extreme, either accidentally or purposefully." [4] It is doubtful, however, whether it could be correct to describe effects in Latin poetry, which was very carefully written, as accidental ...
The word order of poetry is even freer than in prose, and examples of interleaved word order (double hyperbaton) are common. In terms of word order typology, Latin is classified by some scholars as basically an SOV (subject-object-verb) language, with preposition-noun, noun-genitive, and adjective-noun (but also noun-adjective) order.
Hyperbaton is found in a number of prose writers, e.g. Cicero: Hic optimus illīs temporibus est patrōnus habitus [9] he best in those times is lawyer considered 'He was considered the best lawyer in those times.' Much more extreme hyperbaton occurred in poetry, often with criss-crossing constituents. An example from Ovid [10] is
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Baltimore was held up as an example of progress. The authors cited a study showing that the publicly funded Baltimore Buprenorphine Initiative, aimed at increasing access to medical treatments, helped spur a roughly 50 percent reduction in the city’s overdose deaths between 1995 and 2009.
Scaliger's use of this example is evidence that someone between Diomedes and him took the term teres versus to be similar to a modern golden line. The English fascination with the golden line seems to trace back to Bede. Bede advocated a double hyperbaton, and also the placing of adjectives before nouns. In the examples from each criterion ...