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This is an accepted version of this page This is the latest accepted revision, reviewed on 3 January 2025. Female entity in Near Eastern mythology This article is about the religious figure Lilith. For other uses, see Lilith (disambiguation). Lilith (1887) by John Collier Lilith, also spelled Lilit, Lilitu, or Lilis, is a feminine figure in Mesopotamian and Jewish mythology, theorized to be ...
The obvious injustice to Lilith— who seems to have asked no more than her fair half, while Adam was the encroacher, on the assumption that they were created equal —inspired Collier's version of the legend, according to which Lilith leaves Eden voluntarily, rather than submit to dominance, but loses thereby the blessing of motherhood.
A version for children appears on the 1984 Cabbage Patch Kids album "A Cabbage Patch Christmas". Woody Guthrie rewrote the lyrics to the song in 1949 and adapted the song to become “Come When I Call You.” Written about the ravages of war in the aftermath of World War II, the song would go unpublished until the late 90s.
Jesus Met the Woman at the Well" is a traditional gospel song. It relates the story of the meeting between Jesus and the Samaritan Woman , found in the Gospel of John at 4:4-26 . One of the earliest recordings, by The Pilgrim Travelers (1950), credits the song as "Traditional, arranged by J. W. Alexander ".
The electronic producer Varien released the song "Lilith", which is about this legend. In the 2015 film The Chosen, Lilith is a demon that possesses children and takes them to hell if six blood relatives are not sacrificed. The film also refers to Lilith as being the first wife of Adam.
Lilith is the first opera by American composer Deborah Drattell, with a libretto by David Steven Cohen. It was premiered in 2001 at the New York City Opera and was directed by Anne Bogart . [ 1 ]
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"Jesus Loves Me" is a Christian hymn written by Anna Bartlett Warner (1827–1915). [1] The lyrics first appeared as a poem in the context of an 1860 novel called Say and Seal , written by her older sister Susan Warner (1819–1885), in which the words were spoken as a comforting poem to a dying child. [ 2 ]