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Starfighters are an English heavy metal band from the new wave of British heavy metal movement founded in Birmingham, England, in 1980. [1] They attracted a strong British cult following but were not able to translate this into any lasting success, producing just two full studio albums in the early 1980s.
"The Right Stuff" (extended version) – 8.07 "Ejection" (single version) – 3.47 "Catch A Falling Starfighter" (single version) – 3.00; Hawkwind has incorporated some of the songs in their live set through the years including "The Right Stuff", "Ejection", "The Widow Maker" and "The Song of the Gremlin" and they have also been recorded and included on several of their live albums and ...
During periods away from Hawkwind duties, Calvert worked on his solo career; his solo creative output included albums, stage plays, poetry, and a novel. His first solo album, Captain Lockheed and the Starfighters, was released in 1974. [3] The record is a concept album, an amalgam of music and theatre focused around the Lockheed bribery scandals.
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This is a set category. It should only contain pages that are United Artists Records albums or lists of United Artists Records albums, as well as subcategories containing those things (themselves set categories). Topics about United Artists Records albums in general should be placed in relevant topic categories
This is a set category. It should only contain pages that are Albums produced by George Martin or lists of Albums produced by George Martin, as well as subcategories containing those things (themselves set categories). Topics about Albums produced by George Martin in general should be placed in relevant topic categories
An original 20-inch X-wing starfighter model used in the climactic space battle of “Star Wars: A New Hope” set a record as the most expensive screen-used Star Wars prop ever sold at auction.
The Warner/Reprise Loss Leaders were a series of promotional sampler compilation albums released by Warner Bros. Records throughout the 1970s. Each album (usually a 2-record set) contained a wide variety of tracks by artists under contract to Warner Bros. and its subsidiary labels (primarily Reprise Records); often these were singles, B-sides, non-hit album tracks, or otherwise obscure ...
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