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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
"Two bits" is a term in the United States and Canada for 25 cents, equivalent to a U.S. quarter. "Four bits" and "six bits" are also occasionally used, for example in the cheer "Two bits, four bits, six bits, a dollar." The final words may also be "get lost", "drop dead" (in Australia), [citation needed] or some other
For every 3 non-theme words you find, you earn a hint. Hints show the letters of a theme word. If there is already an active hint on the board, a hint will show that word’s letter order.
No chord, written in the chord row of music notation to show there is no chord being played, and no implied harmony Nebenstimme (Ger.) Secondary part (i.e. a secondary contrapuntal part, always occurring simultaneously with, and subsidiary to, the Hauptstimme) nicht (Ger.) Not niente
It allows a guitar player to have the open strings start at a higher pitch, thus facilitating the transposition of songs and the use of the "ringing", rich sound of open chords in unusual keys. changes. A jazz term which is an abbreviation for "chord changes", which is the harmonic progression (or "chord progression") upon which a melody is ...
Although changing the octave of certain notes in a chord (within reason) does change the way the chord sounds, it does not change the essential characteristics or tendency of it. Accordingly, using the ninth, eleventh, or thirteenth in chord notation implies that the chord is an extended tertian chord rather than an added chord.
Homorhythmic (i.e., hymn-style) arrangement of a traditional piece entitled "Adeste Fideles", in standard two-staff format for mixed voices. Play ⓘ. A hymn tune is the melody of a musical composition to which a hymn text is sung.
In music and music theory, a polychord consists of two or more chords, one on top of the other. [2] [3] [4] In shorthand they are written with the top chord above a line and the bottom chord below, [5] for example F upon C: F / C . The use of polychords may suggest bitonality or polytonality. Harmonic parallelism may suggest bichords.