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The Art of medieval Spain, A.D. 500-1200. New York: The Metropolitan Museum of Art. 1993. ISBN 0870996851. Berg Sobré, Judith. Behind the Altar Table: The Development of the Painted Retablo in Spain, 1350-1500. Columbia, Miss. 1989. Brown, Jonathan, Painting in Spain, 1500-1700 (Pelican History of Art), Yale University Press, 1998, ISBN 0300064748
16th; 17th; 18th; 19th; 20th; 21st; Pages in category "16th-century Spanish painters" The following 80 pages are in this category, out of 80 total. ...
The Spanish Renaissance was a movement in Spain, emerging from the Italian Renaissance in Italy during the 14th century, that spread to Spain during the 15th and 16th centuries. [1] This new focus in art, literature, quotes and science inspired by the Greco-Roman tradition of Classical antiquity, received a major impulse from several events in ...
During the 16th century, the native population of Mexico fell from an estimated pre-Columbian population of 8 to 20 million to less than two million. Therefore, at the start of the 17th century, continental New Spain was a depopulated region with abandoned cities and maize fields. These diseases did not affect the Philippines in the same way ...
Foreign artists were often imported, although even in the 16th century the most successful were often reluctant to go to Spain, partly because they feared they would never be allowed to leave. [1] In addition, at various periods, especially in the 16th and 17th centuries, the monarchs bought paintings abroad on a significant scale, especially ...
The 16th century began with the Julian year ... The Renaissance in Italy and Europe saw the emergence of important artists, ... Spanish settlers outside New Spain ...
New Spanish Baroque, also known as Mexican Baroque, refers to Baroque art developed in the entire territories that once formed the Viceroyalty of New Spain.During this period, artists of New Spain experimented with expressive, contrasting, and realistic creative approaches, making art that became highly popular in New Spanish society.
The Florentine Codex is a 16th-century ethnographic research study in Mesoamerica by the Spanish Franciscan friar Bernardino de Sahagún. Sahagún originally titled it La Historia General de las Cosas de Nueva España (in English: The General History of the Things of New Spain). [1]