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Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
The lyrics to the song are all puns for musical terminology. Whenever Eric Stewart sings the name of a chord, that chord is played as part of the music to the song. The chart below attempts to explain this idea. I bought A = A major (A C♯ E) [A] flat = A Flat major (A♭ C E♭) [A flat] diminished = A Flat diminished (A♭ Cb E♭♭)
the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
In music theory, the half-diminished seventh chord (also known as a half-diminished chord or a minor seventh flat five chord) is a seventh chord composed of a root note, together with a minor third, a diminished fifth, and a minor seventh (1, ♭ 3, ♭ 5, ♭ 7).
The most common form of the diminished seventh chord is that rooted on the leading tone – for example, in the key of C, the chord (B–D–F–A ♭) – so its other constituents are the , , and ♭ (flat submediant) scale degrees. These notes occur naturally in the harmonic minor scale.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
The diminished seventh chord is seen more frequently in late classical and romantic period works but is also found in Baroque and Renaissance period works, though not as frequently. All of the elements of the diminished seventh chord can be found in the dominant seventh flat nine (7 ♭ 9) chord as seen in a comparison of the two chords.
The leading-tone diminished triad and supertonic diminished triad are usually found in first inversion (vii o 6 and ii o 6, respectively) since the spelling of the chord forms a diminished fifth with the bass. [6] This differs from the fully diminished seventh chord, which commonly occurs in root position. [8]
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