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The "person on business from Porlock" was an unwelcome visitor to Samuel Taylor Coleridge during his composition of the poem "Kubla Khan" in 1797. Coleridge claimed to have perceived the entire course of the poem in a dream (possibly an opium -induced haze), but was interrupted by this visitor who came "on business from Porlock " while in the ...
The poem's self-proclaimed fragmentary nature combined with Coleridge's warning about the poem in the preface turns "Kubla Khan" into an "anti-poem", a work that lacks structure, order, and leaves the reader confused instead of enlightened. [58] However, the poem has little relation to the other fragmentary poems Coleridge wrote. [59]
Besides The Rime of the Ancient Mariner, Coleridge composed the symbolic poem Kubla Khan, written—Coleridge claimed—as a result of an opium dream, in "a kind of a reverie"; and the first part of the narrative poem Christabel. The writing of Kubla Khan, written about the Mongol emperor Kublai Khan and his legendary palace at Xanadu, was said ...
Kubla Khan: Or, A vision in a dream. A Fragment. "In Xanadu did Kubla Khan" 1798 1816 Recantation: Illustrated in the Story of the Mad Ox "An Ox, long fed with musty hay," 1798 1798, July 30 Hexameters. ('William my teacher,' &c.) "William, my teacher, my friend! dear William and dear Dorothea!" 1799 1851
The reported splendour of Xanadu later inspired Samuel Taylor Coleridge to write his great poem Kubla Khan and caused Xanadu to become a metaphor for opulence. Xanadu is remembered today largely thanks to this poem, which contains the following often quoted lines: (poem) Coleridge used artistic license with his poem, and few aspects of the ...
Coleridge told the most famous story that connects Coleridge's work with his opium usage in his well-known preface to the poem Kubla Khan. Coleridge wrote: Coleridge wrote: The author continued for about 3 hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence, that he could not have ...
Thematically the poem is one of Coleridge's most cohesive constructs, with the narrative plot more explicit than previous works such as the fragmented Kubla Khan which tend to transcend traditional composure. Indeed, in many respects the consistency of the poem – most apparent from the structural formality and rhythmic rigidity (four ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...