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At the Races in the Countryside or Carriage at the Races is an 1869 oil painting by the French painter Edgar Degas. The painting, which depicts a scene of a family in a horse-drawn carriage in the countryside, is on display at the Museum of Fine Arts Boston. [1] The painting was shown at the First Impressionist Exhibition in 1874. [2]
As a student, Degas had filled his notebooks with drawings of horses. During a tour of breeding farms with Paul Valpincon and after exposure to horse races, Degas appreciated the movement of the horses and the colors of the jockeys uniforms. He wanted to make his paintings seem spontaneous as if he'd captured a passing moment. [2]
The oil painting held at the Art Institute of Chicago is the most widely known version of the work and was created in 1866. While there had been debate about its creation date due to the smudging of the inscription on the work (read variously as 1865 or 1867), [ 3 ] a microscopic examination of the work indicated that the date is 1866. [ 8 ]
Other paintings of horses by Géricault include Officer Hunter Horse of the Imperial Guard Charging (1812) and Race of Free Horses in Rome (1819). [2] This work is a rare and valuable example of painting dated from his travel in England, when Géricault preferred to work in lithography. It was painted for the English horse dealer Adam Elmore.
In 1927 he explained his work as follows:The secret of painting race-horses lies in quickness. Their movements are so alert, they are so full of nervous energy, that the artist has to have a hand like a streak of lightning to catch the pose while it lasts. [5] His paintings of race horses, nearly all on commission, are oil-on-canvas.
The painting, now on display in the National Gallery of Art in Washington, D.C., was exhibited at the 1866 Salon in Paris. Degas painted the work on a large canvas. Horses race from the right to left side. In total, there are four horses, with three jockeys. One of the jockeys has fallen off his horse and lies motionless in the foreground.
A painting by an emerging Detroit artist has gone viral for its depiction of critical race theory’s (CRT) erasure of The post Detroit artist Jonathan Harris shares powerful message with critical ...
Little was known of Troye's work in the eastern United States until 1912. Since then, more than 300 of his paintings have been found, of which three-fourths have been photographed since 1912. In addition, he is the author of The Race Horses of America (1867). [2] Troye is buried in Georgetown Cemetery with his wife and grandson, Clarence D ...
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