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Chinese dragon mythology is the source of Japanese dragon mythology. Japanese words for "dragon" are written with kanji ("Chinese characters"), either simplified shinjitai 竜 or traditional kyūjitai 龍 from Chinese long 龍. These kanji can be read tatsu in native Japanese kun'yomi, [b] and ryū or ryō in Sino-Japanese on'yomi. [c] Many ...
The qilin (English: / tʃ i ˈ l ɪ n / chee-LIN; Chinese: 麒麟) is a legendary hooved chimerical creature that appears in Chinese mythology, and is said to appear with the imminent arrival or death of a sage or illustrious ruler. [1] Qilin are a specific type of the lin mythological family of one-horned beasts. The qilin also appears in the ...
Radical 212, 龍, 龙, or 竜 meaning "dragon", is one of the two of the 214 Kangxi radicals that are composed of 16 strokes. The character arose as a stylized drawing of a Chinese dragon, [1] and refers to a version of the dragon in each East Asian culture: Chinese dragon, Lóng in Chinese; Japanese dragon, Ryū or Tatsu in Japanese
The Chinese dragon is a positive image in Chinese culture, symbolizing such things as wisdom, authority, prosperity, health and protection. ... "Rising dragon" is a popular tattoo design. It ...
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
The Four Holy Beasts (四靈、四聖獸、or 四大神獸) are Chinese astronomical and cultural Four Benevolent Animals that are spread in the East Asian cultural sphere. They are mentioned in the Chinese classic Book of Rites [ 1 ] and includes the Dragon (龍) in the East, the Qilin (麟) in the West, the Turtle (龜) in the North, and the ...
Chinese calligraphy is the stylized, artistic writing of Chinese characters; the written form of Chinese that unites the languages spoken in China. Calligraphy is considered supreme among the visual arts in China and sets the standard for which Chinese painting is judged. Chinese calligraphy and painting are closely related. [1] [needs context]
The Yellow Dragon does not appear in Japanese mythology: the fifth element in the Japanese elemental system is the void, so there cannot be an animal representing it. However, some consider the Ōryū as the Japanese counterpart of the Yellow Dragon since they share some similarities.