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Hybridity is a cross between two separate races, plants or cultures. [5] A hybrid is something that is mixed, and hybridity is simply mixture. Hybridity is not a new cultural or historical phenomenon. It has been a feature of all civilizations since time immemorial from the Sumerians through the Egyptians, Greeks and Romans to the present.
Hybrid genres are a longstanding element in the fictional process. An early literature example is William Blake's Marriage of Heaven and Hell, with its blend of poetry, prose, and engravings. [2] In cinema, the merging of two or more separate genres attracts a broader range of audience type. [3] [4]
The appearance of the term in the titles of a number of college readers and writing textbooks beginning in the late 1980s can be attributed to a convergence of academic multiculturalism and the pedagogical movement known as Writing Across the Curriculum, which gave educators in the social sciences greater influence in composition pedagogy.
For example, Sense and Sensibility is a didactic novel based on the contrast between the beliefs and conduct of two heroines, a novel format that was particularly fashionable in the 1790s and exemplified by Edgeworth's Letters of Julia and Caroline and Elizabeth Inchbald's Nature and Art. [50]
The deliberative genre of rhetoric involves speeches or writing meant to persuade an audience to take action. Deliberative rhetoric thus includes rhetoric that is used for political persuasion, discusses matters of public policy in order to determine what is advantageous or disadvantageous, and is usually concerned with the future.
The Third Space is a postcolonial sociolinguistic theory of identity and community realized through language. It is attributed to Homi K. Bhabha. Third Space Theory explains the uniqueness of each person, actor or context as a "hybrid".
SOURCE: Integrated Postsecondary Education Data System, Morgan State University (2014, 2013, 2012, 2011, 2010).Read our methodology here.. HuffPost and The Chronicle examined 201 public D-I schools from 2010-2014.
Yazz is alienated by the experience, and recognises that even as a woman of colour, her life is more similar to that of her lower-middle-class white friend. Courtney, herself born into a farming background, addresses the intersectional flaws of only considering the racial element of social privilege. Citing Roxane Gay, she states: