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Jesus is coming soon, morning or night or noon; Many will meet their doom, trumpets will sound, All of the dead shall rise, righteous meet in the skies, Going where no one dies, heavenward bound. Verse 2: (not often included in recordings) Love of so many cold; losing their home of gold; This in God's Word is told; evils abound.
The last verse of the hymn was written as an imitation of George Herbert's The Temple poem as a tribute by Crossman to Herbert. [3] In the 21st century, the language of the hymn is sometimes updated by hymnal editors, a move which is often lamented by traditional hymnologists who feel that the newer language loses the original meaning and ...
A man works a cornfield on St. Helena Island, where "Michael Row the Boat Ashore" was first attested. "Michael, Row the Boat Ashore" (also called "Michael Rowed the Boat Ashore", "Michael, Row Your Boat Ashore", or "Michael, Row That Gospel Boat") is a traditional spiritual first noted during the American Civil War at St. Helena Island, one of the Sea Islands of South Carolina. [2]
Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.
Doris Mae Akers (May 21, 1923 – July 26, 1995) [1] was an American gospel music composer, arranger and singer who is considered to be "one of the most underrated gospel composers of the 20th century [who] wrote more than 500 songs". [2]
Arvid Liljelund [de; fi; sv] 's Man Singing Hymn (1884). A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. [1]
Like all the singles from We Can't Dance, "Jesus He Knows Me" was released on two CDs as well as on vinyl editions. All formats featured the non-album track "Hearts on Fire" (later included on Genesis Archive 2: 1976–1992) as the primary B-side, while both CDs included an exclusive track.