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Schloss by the Water (German - Wasserschloss) or Schloss Kammer on the Attersee I (Schloss Kammer am Attersee I) is a 1908 oil on canvas painting by Gustav Klimt now in the National Gallery Prague. It is the first of four oil on canvas paintings in a series created in 1908-1910 during a summer holiday at the Villa Oleander at Schörfling am ...
One of Klimt's paintings closer to abstraction, but not quite embracing it in full. The multiplicity of colours and reedy forms of vegetation infuse a sense of vivaciousness that connects with Nature's life cycle. The focus is a close-up subject, as often occurs in Klimt's landscapes, whereas the execution is reminiscent of exquisite mosaics ...
Gustav Klimt (14 July 1862 – 6 February 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, [1] and his works are marked by a frank eroticism. [2]
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
The Stoclet Frieze is a series of three mosaics created by the Austrian painter Gustav Klimt for a 1905–1911 commission for the Stoclet Palace in Brussels, Belgium. The panels depict swirling Tree of life , a standing female figure and an embracing couple.
Print/export Download as PDF; Printable version; ... Pages in category "Paintings by Gustav Klimt" The following 24 pages are in this category, out of 24 total.
Insel im Attersee is a 1901-1902 landscape painting by the Austrian artist Gustav Klimt (1862-1918). [1] [2] [3] The work was created between 1901 and 1902 during Klimt’s summers on Lake Attersee. The painting is an early example of a work executed in the square format Klimt would come to be known for.
In 1902, Klimt painted the Beethoven Frieze for the Fourteenth Vienna Secession exhibition in celebration of 75th anniversary of the composer Ludwig van Beethoven's death. It was featured alongside a monumental polychrome sculpture by Max Klinger. Meant for the exhibition only, the frieze was painted directly on the walls with light materials. [3]
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