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Expressionist architecture was individualistic and in many ways eschewed aesthetic dogma, [6] but it is still useful to develop some criteria which defines it. Though containing a great variety and differentiation, many points can be found as recurring in works of Expressionist architecture, and are evident in some degree in each of its works:
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
American Figurative Expressionism is a 20th-century visual art style or movement that first took hold in Boston, and later spread throughout the United States. Critics dating back to the origins of Expressionism have often found it hard to define.
Nineteenth-century movements of Post-Impressionism , Art Nouveau and Symbolism led to the first twentieth-century art movements of Fauvism in France and Die Brücke ("The Bridge") in Germany. Fauvism in Paris introduced heightened non-representational colour into figurative painting. Die Brücke strove for emotional Expressionism.
In particular his writing on American Abstract expressionism, and 20th-century European modernism persuasively made the case for High art and culture. In 1961 Art and Culture , Beacon Press, a highly influential collection of essays by Clement Greenberg was first published.
German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
A quotation erroneously attributed to Duchamp suggests a negative attitude toward later trends in 20th century art: This Neo-Dada, which they call New Realism, Pop Art, Assemblage, etc., is an easy way out, and lives on what Dada did. When I discovered the ready-mades I sought to discourage aesthetics.
Rose-Carol Washton Long (born March 1, 1938) is an American art historian and Professor Emeritus of Art History at CUNY Graduate Center. [1]Born in New London, Connecticut, Long started off as a lecturer and research fellow at the Solomon R. Guggenheim Museum and got her PhD in 1968 at Yale University while working as a lecturer in art history at Queens College, City University of New York ...