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The main characters of the Baal Cycle are as follows: [3] Baal, the storm god and protagonist, whose abode is on the Syrian mountain Mount Zaphon; Yam, the sea god and primary antagonist of Baal in the first two tablets of the Baal Cycle; Mot, the underworld god and primary antagonist of Baal in the last two tablets; Anat, sister and major ally ...
Only El, Baal, Resheph and the Hurrian god Teshub appear in a greater number of names. [96] In myths and incantations, she acts as a messenger, and summons other gods from distant locations. [97] As an extension of this role, she could also be described as acting as a guide in the underworld. [98] Known texts characterize her as a compassionate ...
The Baal Cycle, the most famous of the Ugaritic texts, [1] displayed in the Louvre. The Ugaritic texts are a corpus of ancient cuneiform texts discovered in 1928 in Ugarit (Ras Shamra) and Ras Ibn Hani in Syria, and written in Ugaritic, an otherwise unknown Northwest Semitic language. Approximately 1,500 texts and fragments have been found to date.
In the Baal Cycle (KTU 1.1-1.6 [43]) Yam is portrayed as one of the enemies of the eponymous god, Baal. [44] He is his main rival in the struggle for the status of king of the gods. [45] The conflict between Yam and Baal is considered one of the three major episodes of the Baal Cycle, with the other two being the construction of Baal’s palace ...
The Baal Cycle or Epic of Baal is a collection of stories about the Canaanite Baal, also referred to as Hadad. It was composed between 1400 and 1200 B.C. and rediscovered in the excavation of Ugarit , an ancient city in modern-day Syria .
Articles relating to Baal, a title and honorific meaning "owner," "lord" in the Northwest Semitic languages spoken in the Levant during antiquity. From its use among people, it came to be applied to gods. The title is particularly associated with the storm and fertility god Hadad.
According to Tabari, baal is a term used by Arabs to denote everything which is a lord over anything. [101] Al-Thaʿlabī offers a more detailed description about Baal; accordingly it was an idol of gold, twenty cubits tall, and had four faces. [99]
The Tale of Aqhat [1] or Epic of Aqhat [2] is a Canaanite myth from Ugarit, [3] an ancient city in what is now Syria.It is one of the three longest texts to have been found at Ugarit, the other two being the Legend of Keret and the Baal Cycle. [4]